Sunday, February 13, 2011

Bitter, Sweet by Laura Best

I'm supposed to be finishing up some last minute tweaks on RECKLESS ENDEAVOR, things like a brief synopsis, for the Kindle, iPad & Nook versions, but I was sidetracked. It'll be a late night now for sure, but I'm gonna get it done. Have to. Anyway, it all started this afternoon when I stopped at the Post Office to pick up the mail .....

There it was - Laura Best's book - Bitter, Sweet. So, I unwrapped it & started checking it out. Then I started reading. And then I kept reading. Had bought some rib-eye steaks for the grill earlier in the day. Instead of putting them on during daylight, I kept reading - until the book was finished. (It was completely dark when I fired up the grill. When I went outside & turned the steaks, I reached for the handle on the grill's lid - to close it - & since I couldn't see, missed  it, & put my hand on the hot lid. I now have no fingerprints on my right hand.)

Sorry, back to the topic. (It's okay - I'm typing left handed.)


Okay, now I'm not a writerly literary genius or even a student of the craft, & don't pretend to be. And usually I favor action packed novels, thrillers, mysteries, sometimes horror & I write adventure tales for kids - but that's not gonna stop me from offering my thoughts on Bitter, Sweet.   

First of all - this book is flat out entertaining. It is also very well written, IMHO. The characters have unique personalities. The scene description is balanced - not overdone - enough to pull the reader into the setting without disrupting the flow of the story. The dialogue is strong - each character's voice stands out. It's easy to get a real feel for the poverty, the loss, the heartache & the family's ultimate struggle to put up a 'united front' in order to survive. Well, Laura has managed to make all of her words count & created a remarkable story. Very impressive. A terrific read. Thumbs up, my friend.    

Okay, I'm off to soak my hand ....  Oh yeah, click the Amazon link & buy Laura's book. Go on. Hurry!



Monday, February 7, 2011

Hangin' Out



I've been just kinda hangin' out lately, doin' research on a buncha stuff that's gonna be in the next book, which is already underway. The picture above is from The Old Jail in St Augustine. The jail provides a fun chapter location in RECKLESS for one of the "adventures". It was also necessary to do some readin' up on how hangings were carried out, since that's how Calico Jack Rackham met his end in 1720. That little detail doesn't stop him from visiting his young descendant.

Right now I'm into Aztecs, jungles, and caves.... with a few twists, of course. I'll need some first hand cave experience, you know, for realism's sake, so there's gotta be a trip in our future (get your camera ready, Deb!). Maybe after the pirate invasion in Tampa later this month. In the meantime, I'm doing my usual poor job of marketing & promotion, in the weeks leading up to the release of the latest Jack Rackham Adventure - might be on Kindle & Nook in a week, not sure.    



Well, I've been kinda quiet lately but I ain't just sittin' around.


Friday, January 7, 2011

Friday, December 31, 2010

Think I Need A Compass?


I'm not much for looking back & can't recall ever making New Year's resolutions, so I won't start now, but........

Going through files & docs, I noticed that the RECKLESS draft was pretty much done in 2009 & here it is only 3 hours from 2011 & it's still "not out" (waiting for the final cover art).  Guess that's partly due to working out of town. Also, in my defense, I did chop out a big portion of the book to use as a launching point for the next book, a story that I really like, resulting in a major rewrite of the ending for RE. (Hint: The ending for RECKLESS is, hmmmm, better not say anything yet.) 

So did I miss out on any opportunities? Maybe. Does it matter? Dunno. Can't do anything about it now. I'm a little late to the ebook party, but that'll change within the next week or two.

I allowed myself 10 minutes to think about 2010 - beyond 10 minutes, it's all a blur anyway. This time last year I was working out of the company's office in Jacksonville, griping every day about being stuck inside behind a desk, putting numbers together. We had bid a job for Amtrak that the 'Powers That Be' almost bailed out on 'cause they decided the job was too complicated. In the meantime, we were looking at a really lean year for moneymaking projects so the railroad project was muy importante. Poof! January arrived. We were awarded the Amtrak job that was too complicated to take on & the 'Powers That Be' designated me as 'The Guy' to do the job, which meant a 16 month gig out of town. Funny, nowadays, working out of the office doesn't seem like such a bad option. (I haven't seen my office for 50 weeks. Wonder what it looks like.)

For the most part, the blog's been on a yearlong hiatus, with the odd post thrown in from time to time - an artificial sign of life. Writing was hit or miss. Impossible at the hotel, slightly better at the condo, much improved at the little house that we rented. Promotion? ZERO. I couldn't do any book signings, cancelled plans for a couple of book festivals, & couldn't attend the FWA Writers Conference or the RPLA Awards Banquet. Perfect batting average on marketing overall.

Wonder what'll happen in 2011. I want to get the 3rd book out. I'd like to do some promotion. Blogging regularly again would be kinda cool. Finding a coupla beta readers might be a plus & losing 15 pounds couldn't be a bad thing. Well, I'm still not makin' any resolutions - 'cept to finish this project n' go home, to my real house. 

I wonder if I just need a compass. GPS? A set direction? A game plan? Map? Would these require makin' resolutions? Hope not.

How 'bout you? Any goals or resolutions rattlin' around in your cranium that you'll try to ignore?

Happy 2011.




   


Sunday, December 26, 2010

Blog "Stuff"

First of all, hope everyone had a very nice Christmas. I haven't been online much these past few weeks.

We're working through the cover art again for RECKLESS, trying to get it just right. Being pig-headed, as usual. While that's going on, I'm polishing & fine-tuning the final MS while working on the follow up Jack Rackham Adventure. I should be working to create "buzz" before RECKLESS is let loose, you know, blogging & such, but (a) I'm way too focused on the final product & (b) I'm terrible about elbowing my way around to even mention my books, especially on someone else's site. Personally, I tend to avoid blogs totally dedicated to the promotion of an author's work. Blogs, IMHO, should be give & take. It's fine to incorporate promotion into the mix, but getting to "know" folks, including their opinions, is entertaining & often educational. (The fact that the "I" word has been used 7 times in this post is uncomfortable enough.) 

So how do y'all do it (mix blog posts & promo) without becoming a self-centered bore? How do you attract followers with whom to share ideas? (There are 30 followers on JaxPop, only 5 on the newer Jack Rackham Adventures blog). I (#8) dunno, maybe it's best to just stick with storytellin', but I'd (#9) sure like to get some opinions.
 

Thursday, December 2, 2010

Short, Sick & Inspired?

In an effort to remain pointless.......


Ever write from a prompt? I've done it a few times for fun. In one case, I was given a miniscule time limit (hour or 2?) & 4 words to incorporate into a very short story. The words provided were: Ingredients, mole, windowpane, & ..... sorry, the 4th excapes me. I'm gonna post it below.

So what to do for the topic. Hmmm.... I'm from suburban Philadelphia, truly an inspiring kind of place, for characters especially. It's the home of cheese steaks, throwing snowballs at Santa, cops shooting cats to get them down from trees, & South Philly mobsters with Italian names. Okay, I made that part up about the cops & cats, but, once upon a time 30 years or so ago, the Mayor ordered the police to bomb a house from a helicopter & the fire wiped out most of a neighborhood. Ah, the memories.

Anyway, I jumped back to my roots & the 'good old days' for this very short (BUT NOT YA) story.

And cut me some slack - I needed a break from the kid stuff......

                              A HANDFUL OF INGREDIENTS


The bespectacled little man with the bow tie and bad comb over crossed Callowhill Street and walked toward the converted row home with the battered sign announcing, Ciarlante’s Meats – Best Steak Sandwiches In South Philly. This was his first visit to the City of Brotherly Love and he was anxious to sample the famous specialty that the locals had so enthusiastically recommended. His saliva glands kicked into high gear with anticipation.

A bell jingled overhead as he entered the shop. Behind the meat case stood a fiftyish looking man with a prominent mole staring out from the bridge of his nose, resembling a misplaced third eye. He was thick through the middle and wore a soiled white apron, the name Carmine stitched across the pocket of his grimy shirt. Another man, sitting at a small table along the wall below a no-smoking sign, puffed away on a Lucky Strike. The ashtray overflowed with stale butts and two crumpled packets kept company with one that was newly opened. The little man timidly approached the greasy counter. ‘Three eyes’ stood silent, waiting to take his order.

“Hello. I’ve heard how t-tasty Philadelphia steak sandwiches are and decided t-to t-try one,” he stammered.

“Yeah. So?”

“Uh. Could I get one?”

“One what?”

“A steak sandwich.”

"Fried onions?”

“Uh… if that’s an ingredient that you recommend, certainly.”

“Ingredient?”

“Uh, yes, you know, like a condiment, used to enhance flavor.”

“I know what ingredient means. Do I look like some ignorant dipshit?”

Shocked by the surly reply, the man inched backwards. “No no, not at all. I’m sorry. I wasn’t trying to sound …..”

“Ah, don’t worry ‘boudit. I’m just in a shitty friggin’ mood. So you want dat steak witt?”

“Witt?”

“Yeah. Witt.”

“Uh, witt? I’m afraid I’m not familiar with that term.”

Carmine shook his head and looked over to the man at the table. “Lou, tell ‘im what’s witt.”

Lou never looked up from his racing form. “Cheese. D’ya want friggin’ cheese witt da steak?”

The man felt sweat beading up across his upper lip. “S.. sure. Cheese. I’d like Swiss cheese please. Yes, Swiss, that would be fine.”

“I knew you was an asshole the minute you walked in da place. We don’t do no Swiss. You get a steak witt American or wittout.” Carmine nodded to the chain smoker, and pointed toward the horrified customer with his thumb. “We need to do somethin’ about dis shithead.”

Shaking, the stranger moved toward the door but found his path blocked by the hulking Lou who shoved him roughly toward the register. Eyes squinting against cigarette smoke; Lou pulled the shade over the cracked window pane and twisted the door lock before flipping the closed sign to face the street.

“Bring the son of a bitch back here so’s I can show ‘im what ingredients go in a cheese steak,” barked Carmine as he moved toward a stainless steel meat slicer.

“You can’t be serious. I…. I didn’t do anything,” pleaded the terrified out-of-towner.

Lou grabbed him around the shoulders with one arm, locked onto his neck with the other, and shoved him behind the counter. Carmine clamped his hand over the man’s puny wrist, and yanked him toward the machine, holding the hand inches from the slicer while he reached for the toggle switch.

“You can’t do this! I’m begging you guys. I’ll give you whatever you want. I won’t call the cops. I swear. I’ll leave and never come back,” he wailed, struggling against the crushing grip of the two thugs.

“I toldja. I’m in a shitty mood today. I gotta do somethin’ to get myself in a better frame of mind. Ain’t nothin’ personal. What’s your name again?” asked Carmine.

“I never said.”

“Well, tell me now shit-for-brains.”

“Chuck. My name’s Chuck. I swear. I’ll leave town right now and keep my mouth shut.”

“Okay Chuck. Hey Louie, maybe we oughtta let ‘im go. I’m feelin’ much better now.”

“Aw c’mon, Carmine, I wanna watch dis guy bleed,” said Lou.

Carmine sighed. “Sorry Chuck. Lou’s been bored lately. I don’t like when he’s bored. Now pay attention ‘cause dis is how we get the first of our four ingreeeeedients.”

Chuck’s screams were stifled by Lou’s forearm as the toggle was flipped. Carmine grinned as he shoved the hand against the spinning blade, working the mechanism in a rhythmic back and forth motion. Paper-thin pieces of the hand filtered through the machine, dropping neatly onto a sheet of bloody wrapping paper. For Chuck, the pain and sight of four-fingered lunchmeat proved unbearable and, as his bladder emptied, he lost consciousness.

“Let’s fry it up n’ make ‘im eat it,” said Lou. “And don’t forget da cheese.”

“Nah. See if he’s carryin’ any cash, then dump his wimpy ass behind the Island Avenue scrap yard. Tell ‘im he keeps his mouth shut, or he’s dead,” Carmine ordered.

Lou knelt beside the maimed customer, extracted a billfold and stared at the man’s ID. “Dis ain’t good Carmine. Da son of a bitch works for the IRS.”

The butcher ripped the blood-soaked apron from around his neck and threw it across the counter. “Holy shit!” He leaned against the refrigerated meat case, staring at the floor, thinking of a solution.

The minutes passed and Carmine scratched absently at the repulsive mole. After collecting his thoughts, he looked up and smiled. “Drag him into da back room, Lou. We're gonna run a special tomorrow … on ground Chuck.”


Mmmmmmmmm..........

Sunday, November 21, 2010

Publishing Options? Clear As Mud



Skip this post 'cause it's gonna be about (yawn) publishing, a topic that I tend to avoid.

I'm taking the entire week off, sort of, & managed to squeeze in a couple of hours at a writers group meeting yesterday where the focus was on publishing trends & options. There were 6 panelists, each given about 10 minutes to describe their particular experience / areas of expertise.

Cooperative Publishing - I didn't quite understand the concept of a "co-investment" - the presenter was enthusiastic enough, but it sure sounded like the author would need to part with some big bucks. To be fair, 10 minutes doesn't provide much time for explaining things in detail, but I was surprised that the phrase "breaking even financally" was repeated so often. The website offered no worthwhile info.  

Traditional Publishing (small press) - The speaker regaled us with how he was signed by a small royalty paying traditional publisher .... & then explained that his publisher recently changed direction, to focus on eco-topics for their catalog. So now that (talented) author is out in the cold?

E Publishing - Pubit, Smashwords, Kindle, iBooks. The new next best thing. It can be done for free on B&N's Pubit. Wow! Wonder what kind of "stuff" will show up on e-readers now? Free! Great! Right? ("You can upload everything yourself - but it may lack certain formatting qualities.") Huh?

Print On Demand - The author/speaker used a POD company that I KNOW is outrageously expensive.

Self Publishing by way of setting up an LLC & entering agreements with Ingram & Lightning Source. Okay, but it's either a POD or someone's got a huge garage stocked with books. This author/publisher also works with other authors, a handful of titles per year.

Sidebar - One suggestion was made & repeated - Use scattershot email marketing blitzes to publicize books. Fellas, THAT'S CALLED SPAM! Totally disagreed with that bit of advice. Sorry, had to vent. I don't open email from unknowns. Ever.

Hmmmm........

Cooperative Method? Well, I broke even within the first 30 days of getting my 1st book on the street, & that was without much promotion. (As usual - I was out of town, Chicago, when BAD LATITUDE came out.) I should point out that I have niche market which helps.

Traditional / Small Press? Assuming the query is great & the work is accepted (big assumptions - but play along here) .... It takes so looooong. You have to sign over rights, have no control over cover art, advances are low, if offered at all. What happens when a small press changes course or closes up shop? And then there's the royalty thing. If the author is doing 80 to 90% of the work, why settle for a 7 or 10% cut? Forget the 'validaton' argument - that's never been in play for me. Is there really a distribution advantage? A marketing budget? Shelf life? Shelf space? I dunno.

E-Pub scares me. Yeah, I know, there are some authors raking in the dough, but is the quality going to suffer so badly as to scare readers off? All I know is, read excerpts before hitting the "buy" button. I have a Kindle & an iPad & only buy 1 e-book for every 10 (maybe 15) excerpts that I read. The big news at the gathering was 'start to finish - you can have your book on Nook within 48 hours'. From a reader's standpoint - is this really a good thing? As a writer, I'm no Steinbeck or Twain, but I TRY to get it right. The 'gatekeeper' debate may have some merit, based on some e-samples that I've gagged over. Currently, Amazon & others offer the 70% "royalty" - will that be the case next year or 5 years from now? Is it going to drop to say, 10% once e-devices are better established? Am I going to put my stuff on e-readers? That's a definitive maybe - Still on that fence.

POD? I like that, as an author, you don't have to buy a bazillion books. The practice of shipping & returning books always seemed stupid to me as a business model so that bit of idiocy is eliminated via the POD method. The downside? The selling price is annoyingly high. Cost is based on page count. If, like me, you have retailers selling your books, the product has to be heavily discounted (from the author's share of course) since you're adding a 4th "profit margin" (following POD company, printer, & author - hey, have I missed anyone?). Creative control, & retaining all rights - huge plus. Now there are several POD companies out there & the range in prices & services offered is mind boggling. Generally speaking, I'd stay away from the ones with tiered packages & upcharges. Most use the same printer/distributor anyway.  

Self Publishing - as a company?  I can't even imagine the time investment required - not with my life. Branching out to handle other authors? No way. Might work if the day job thing wasn't a factor.   

So what did I take away from all of this? Well, the bulk of the work, regardless of publishing method, still falls on the author. Five examples offered on "the way to do it" &, in all cases, it's still the author's responsibility (beyond just the writing) to create an online presence, market the books, attend conferences & workshops, network like crazy, (oh yeah, & hire an independent editor in most of these scenarios).

Clear as mud, but at least there are options. Guess that's a good thing. RECKLESS ENDEAVOR is being polished up & soon I'm gonna hafta decide which direction to take.

Suggestions?